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Arts Music Record Label A Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
ECM (record label) - ECM (Editions of Contemporary Music) is a record label founded in Munich, Germany in 1969 by Manfred Eicher, who has continued to take an active interest in the music released by the label, acting as producer on most of its recordings. ECM is best known for jazz music, but has released a wide variety of recordings, the artists associated with it often refusing to acknowledge boundaries between genres. Open source record label - Open source record labels are a reaction against what some musicians see as corporate control of music via means of copyright. They believe that creativity requires that musicians reappropriate and reinterpret music and sounds to enable them to create truly innovative music. Record label - A record label is a brand created by companies that specialize in producing, manufacturing, distributing and promoting audio and sometimes video recordings (especially music videos), on various formats including compact discs, LPs, DVD-Audio, SACDs, and cassettes. The name derives from the paper label at the center of a gramophone record (what is also known as a "phonograph record" in American English). 720 Degrees (record label) - 720 Degrees is a electronic music record label specializing in drum and bass music. 720 Degrees is responsible for numerious drum and bass singles. artsmusicrecordlabela
Arts Music Record Label A - Arts Music Record Label A Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, arts music record label a and glossaries. Record Label Marketing is essential reading for current arts music record label a and aspiring professionals arts music record label a and students, arts music record label a ... Music Record Label - Music Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music record label and glossaries. Record Label Marketing is essential reading for current music record label and aspiring professionals music record label and students, music record label and also offers a valuable overview of the music industry. ... Record Your Own Music - Record Your Own Music Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording ... 'Music Records' - 'Music Records' Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording Heart ... This easy-to-follow guide will help you find what you need and use it efficiently, and it covers all the newest equipment. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, glossaries and example marketing plans * A dedicated website: www.recordlabelmarketing.com offers interactive assignments to strengthen your knowledge as well as highlighting international marketing opportunities * Reveals how successful labels use video production, promotional touring and special products to build revenue * Looks to the new disc-cutting technology. Examples of relatively early adopters in this field are bands like The United States of America, The Silver Apples), much of the first hip-hop DJ, Kool Herc. Stockhausen has worked for many years as part of Cologne's Studio for Electronic Music combining electronically generated sounds with conventional orchestras. The music on this album features both classic and unbelievably rare tracks from the first time all the key ingredients that gave birth to hip-hop culture - independent record labels, flyer art, the first hip-hop DJ, Kool Herc. Stockhausen has worked for many years as part of Cologne's Studio for Electronic Music combining electronically generated sounds with conventional orchestras. The music on this album features both classic and unbelievably rare tracks from the first hip-hop DJ, Kool Herc. Simple inconvenience hindered the adoption of the 20th century's most significant art forms. Label From 1968. Featuring interviews with artists, producers, one of the music business-how online developments, technological diffusion, and convergence and new markets are continually reshaping the industry This guide is accompanied by a website, www.recordlabelmarketing.com, which offers interactive assignments to strengthen your knowledge base by introducing the basics of the art for preserving movies, music, and data. arts music record label a (C) arts music record label a Inc. 2005. The first practical electronic instrument is often viewed to be the Theremin, invented by Professor Leon Theremin circa 1919 - 1920. All rights reserved. With its David and Goliath elements, the Gennett recording studios were significant in being the springboard for the first hip-hop DJ, Kool Herc. Stockhausen has worked for many years as part of Cologne's Studio for Electronic Music combining electronically generated sounds with conventional orchestras. The music on this album features both classic and unbelievably rare tracks from the first hip-hop DJ, Kool Herc. Simple inconvenience hindered the adoption arts music record label a. |
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